Ciompi Quartet: Black Angels
Saturday, February 18, 2023 | 8:00 pm
When George Crumb’s Black Angels was premiered in 1970, the composer said it had been “conceived as a kind of parable on our troubled contemporary world.” The piece remains one of Crumb’s most influential and pioneering works, using electronics, vocalizations, crystal glasses and suspended gongs to create a haunting string quartet. It is paired here with Schubert’s similarly harrowing “Death and the Maiden” Quartet, written nearly 150 years earlier but whose famous theme is quoted in Crumb’s work. While Black Angels was a lamentation of the raging Vietnam War, Schubert’s masterpiece was written when the composer was in a similarly despairing period of darkness.
Formed here at Duke University in 1965, the Ciompi Quartet’s career has spanned nearly seven decades. The ensemble’s members are all professors at Duke and perform as distinguished solo players as well as instrumental teachers and chamber artists.
Crumb: Black Angels: Thirteen Images from the Dark Land
Schubert: String Quartet No. 14, “Death and the Maiden”
Ciompi Quartet - II. Assez vif et bien rythmé (String Quartet in G Minor, Op.10) - Claude Debussy
“From beginning to end, the playing sounded intelligent and sure.”