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Duke Arts Presents

Murs & 9th Wonder

Thursday, February 8, 2018 | 8:00 pm

Motorco Music Hall

Opener: Reuben Vincent

The rapper Murs and the producer 9th Wonder were raised on different coasts: Murs is a product of South Central Los Angeles, a background that’s informed every aspect of his lyrics, from streetwise storytelling to the bits of Spanish he’s long woven into his lines. 9th Wonder, of course, is a North Carolina native and Durham icon, thanks to his tenure in the groundbreaking trio Little Brother and his stints teaching hip-hop classes at N.C. Central and Duke. These two hip-hop veterans share an astounding versatility that has made them some of the genre’s most compelling artists for nearly two decades. 9th Wonder has worked with the likes of Jay-Z and Kendrick Lamar while building a defiantly independent hip-hop empire at home, while Murs has moved easily between major labels and underground bastions.

Since 2004, the bicoastal duo has delighted in one of hip-hop’s most productive and joyous rapper-producer collaborations ever, built in large part on that shared adaptability. On a series of six albums and mixtapes, Murs has shared tales of domestic bliss, youthful woe, and social criticism over the trademark soul samples of 9th Wonder. The relationship has pushed them both, adding more dissonance to 9th’s jubilant musical vocabulary and more fun to the hardline rhymes of Murs. In Durham, Murs closes a weeklong Duke residency with a duo set alongside 9th Wonder, built from the best of their dozen years of partnership.

16-year-old Charlotte-based rapper Reuben Vincent, the newest artist signee on 9th Wonder’s Jamla Records, opens.

Murs & 9th Wonder are presented as part of Duke Performances’ Hip-Hop Initiative, made possible, in part, with support from the National Endowment for the Arts.

Murs 'Mi Corazon'

9th Wonder 'Rhythm Roulette'

Reuben Vincent 'BB Guns'

“Murs’ live show is the stuff of legend — with the unruly-haired rapper an always kinetic and focused presence, ready to dig deep into his abyssal catalog to play fan favorites.”

Los Angeles Times